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I had definitely beaten the system, and I took a special, if self-justifying,
pleasure in comparing my lot with the guys who looked like what I would've
looked like if I'd taken the entry-level office job: cheap, uptight and silly.
I loved sitting out in the sun in my shorts and T-shirt, watching them sweating
through their collars, yanking at their ties, earning half of what I was making
in three times the time and eight times the humiliation.
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At the same time, I began to use the sense of bourgeois propriety that tied
me to these people: if a shopkeeper or cop tried to move me along, I shifted
into a deliberately upper-middle-class posture and manipulated them into
politeness, if not submission. It frequently worked. If I managed to sound like
someone they recognized as a boss, they instinctively seemed to respond and
forget that I was just a street salesman.
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Meanwhile, I felt privileged to absorb firsthand the psychic torrent that
characterizes New York street life. Everybody came by: Matt Dillon, timid Asian
tourists, porky middle Americans, NYU summer school students, secretaries,
B-girls with reluctant B-boys in tow.
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I started to get to know other street vendors. There was Joseph, a balding,
roly-poly, rosy-cheeked heroin addict who sold homemade jewelry. There was the
Argentine guy who sold roasted peanut candy. He was big on catcalling female
passersby. When I asked him how and why in the world he thought that was going
to get him anywhere, he said, "I'm doing them a favor! How else are they
supposed to know they're beautiful?!" And then there was Moustapha. Moustapha
was a tall, slender, and extremely dapper college student from Senegal who sold
African jewelry and knickknacks and did a hell of a business. (That was the
summer of Do The Right Thing, and working-class African Americans were
tumbling over themselves to buy anything "African," especially anything with
yellow/green/red on black, the pseudo colors of some Pan-African entity that
never existed). Moustapha was also a big flirt, although he had a different,
slightly more successful line: "Hello. My name is Moustapha. I have been to
sixty-five countries. My father is diplomat."
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Together, Moustapha and I met Eduardo, a Guatemalan who wholesaled us bracelets
like mine, but made with the magic colors: yellow/green/red on black. I bought
thousands of them and sold them all. It was so easy.
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After a few months, though, I began to be bothered by what had at first felt
most exciting. Being on the street with hundreds of dollars of cash and
merchandise meant being constantly hyper-aware of thieves, pickpockets and
drunks. It meant maintaining a constantly defensive posture--a kind of
sustained, animal paranoia. It also meant putting up a barrier between me and
the aforementioned psychic torrent of New York City street life, because it
became very numbing to have hundreds and thousands of strangers stare and make
eye contact day in, day out. I developed a tough shell to protect myself, and I
began to care less and less what anyone thought of me. I started getting that
thing homeless people must get to enable them to eat, sleep, or piss out in the
open in broad daylight--the ability to disconnect your socialization settings
at will.
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My shell grew harder and harder. One time, on the way home from work, I started
rummaging around in a pile of rubble from a newly demolished building. I found
a filing cabinet full of old 45's from a juke box, and a homeless guy
came up alongside me, saying, "Well, looky looky whut we got here.
Music!" Immediately, without thinking about it, I snarled and said, "Hey, fuck
you, man. I got here first." He made off in fear for his life. When I replayed
the image of myself, clawing through wreckage, hissing at fellow beasts, it
gave me a start.
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